Hey you!


I am taking a break from producing my own performances

Fatigued
and with
a heavy heart,
I have
gathered
courage
to take
a leap of faith
to try
something else
that hopefully will carve out
a more sustainable path
for myself

But!

My solo
UNTIL DEATH DO US PART (2025)
is available for booking and honestly very easy to tour,
So, send me an e-mail if you are interested in programming it

And apart from that,
I'm always curious to receive requests regarding
teaching, performing, dancing...


Do not hesitate to reach out if you are interested in collaborating

:)

Stuff 2025 - 2026
Artist in Residency at MDT Stockholm, HAUT, MARC, KBH danser, Institute suédoise
Body Mind-Centering® SME program at moveus | Germany
Life-changing track changes : Carving out a sustainable path for my future


Past performances 2025

Performing "Himmelhviskerne" at H.C. Andersen Festivals, Kunsthal 6100 & Augustiana
Performing during INTONAL in "shotgun wedding" & "FOG BOX", at Inkonst Malmö
Solo performance "UNTIL DEATH DO US PART" at Dansstationen Malmö
Solo performance "UNTIL DEATH DO US PART" at MDT Stockholm
Solo performance "UNTIL DEATH DO US PART" at Atalante Gothenburg
Solo performance "UNTIL DEATH DO US PART" at Dansehallerne Copenhagen


ABOUT SANNA

Sanna Blennow (b. 1988, SE) is a choreographer, performer, and educator, based in Copenhagen, always curious to challenge formats and crossbreed artistic processes. Blennow’s practice investigates time, memory and the

in-between, positioning her practice in the grey zone between the black

box and the white cube, set choreography & improvisation, a sanctuary

& a rupture. In these liminal spaces, the body enters an undefined

zone, where anything can happen for a set time,

where the monsters come out,

and intuition guides.⁠

⁠

Blennow’s practice is one of time travel.

She revisits past works, trying to dance all the

different versions of oneself. Each past choreography

marks a specific moment in time, a different context and
version of herself.

By remembering each at once,

she allows one score to lead into another,

layering time together and re-composing live

to see process and presentation as one in the same.⁠

e-mail